©ourtesy of Blackbook
Rather than highlighting the act of brutality itself, Moor’s film plays out as a symbolic meditation on the psychology of violence, attempting to understand and uncover its tangled roots.
Starring Isaiah Washington and Tequan Richmond, Blue Caprice is a film of ambiguities. Named for the 1990 Chevrolet Caprice in which Muhammad and Malvo traveled in, the film was written with R.F.I. Porto who, alongside Moors, dug heavily into the court cases and examinations that followed the attacks, yet, crafted a film that exists in the intimate moments where one can only surmise what truly occurred between these people. Moor gives us a chilling portrait focused on the interior of his characters, allowing for a deeper awareness into their lives and their existence as people before they were murderers. Through Moor’s use of muffed sound and setting the camera at a distance, you experience an incredibly unnerving sensation while taking in the film—one that lingers far longer than had you only been exposed to a recollection of historical news coverage. It’s the notion of the capacity for violence and how the ability of carry out terror can be inherited or impressed upon us so easily that sends a chill down our spine and makes the atmosphere of Blue Caprice film so heavy.
Director Alexandre Moors on His Chilling Debut ‘Blue Caprice
- Isaiah Washington Takes Shots At Those Who Abandoned Him (bagladyboutiqe.wordpress.com)
- Blue Caprice – Trailer (getitwrighthere.com)
- How Isaiah Washington Made One Monster and Destroyed Another (gawker.com)